|
ID |
Image |
Painting(From A to Z) |
Details |
|
24674 |
|
A young Man with a eathered cap and a gorgert (mk33) |
c.1636
Canvas
66x53cm
|
|
67371 |
|
Angels |
Angels announcing Christ's birth to the shepherds 1639 Oil on canvas, 160 cm x 196 cm Louvre, Paris |
|
66452 |
|
Angels announcing Christ's birth to the shepherds |
Angels announcing Christ's birth to the shepherds
1639
Oil on canvas, 160 cm x 196 cm
Louvre, Paris
|
|
84583 |
|
Angels Announcing the Birth of Christ to the Shepherds |
Date 1639(1639)
Medium Oil on wood
Dimensions Height: 160 cm (63 in). Width: 196 cm (77.2 in).
cjr |
|
24672 |
|
Bust of Rembrandt (mk33) |
c.1633
Oak panel
56x47cm
Berlin,Gemaldegalerie Staatliche Museen Preussischer Kulturbestitz
|
|
71582 |
|
Curius Dentatus Preferring Turnips to Gold |
1656
Oil on canvas
480 x 370 cm (188.98 x 145.67 in)
|
|
72775 |
|
Curius Dentatus Preferring Turnips to Gold |
Date 1656
Medium Oil on canvas
Dimensions 480 X 370 cm (188.98 X 145.67 in)
cyf |
|
84584 |
|
Landscape |
Date 1637(1637)
Medium Oil on wood
Dimensions Height: 49 cm (19.3 in). Width: 75 cm (29.5 in).
cjr |
|
88447 |
|
Landscape |
1637(1637)
Medium Oil on wood
cyf |
|
34498 |
|
Margaretha Tulp |
mk93
1655
Oil on canvas
54 3/8x40 3/4in
Staatliche Museen,Kassel
|
|
98264 |
|
Portrait of a man surrounded by books |
1654(1654)
Medium oil on panel Transferred to canvas
Dimensions 134 x 110 cm
cyf |
|
83598 |
|
Portrait of Margaretha Tulp |
Date 1655(1655)
Medium Oil on canvas
Dimensions Height: 138 cm (54.3 in). Width: 104 cm (40.9 in).
cjr |
|
89767 |
|
Portrait of Rembrandt |
between 1633(1633) and 1634(1634)
Medium oil on panel
cyf |
|
24673 |
|
Rembrandt as a shepherd (mk33) |
1636
Canvas
74.5x64cm
|
|
92482 |
|
Schutters van de compagnie van kapitein Joan Huydecoper en luitenant Frans Oetgens van Waveren bij het sluiten van de Vrede van Munster |
1648
Medium oil on canvas
Dimensions 265 X 513 cm (104.3 X 202 in)
cjr |
|
|
Govert flinck
Dutch Baroque Era Painter, 1615-1660
was a Dutch painter of the Dutch Golden Age. Born at Cleves, he was apprenticed by his father to a silk mercer, but having secretly acquired a passion for drawing, was sent to Leeuwarden, where he boarded in the house of Lambert Jacobszon, a Mennonite, better known as an itinerant preacher than as a painter. Here Flinck was joined by Jacob Backer, and the companionship of a youth determined like himself to be an artist only confirmed his passion for painting. Amongst the neighbours of Jacobszon at Leeuwarden were the sons and relations of Rombertus van Uylenburgh, whose daughter Saske married Rembrandt in 1634. Other members of the same family lived at Amsterdam, cultivating the arts either professionally or as amateurs. The pupils of Lambert probably gained some knowledge of Rembrandt by intercourse with the Ulenburgs. Certainly Joachim von Sandrart, who visited Holland in 1637, found Flinck acknowledged as one of Rembrandt's best pupils, and living habitually in the house of the dealer Hendrik Uylenburg at Amsterdam. For many years Flinck laboured on the lines of Rembrandt, following that master's style in all the works which he executed between 1636 and 1648. With aspirations as a history painter, however, he looked to the swelling forms and grand action of Peter Paul Rubens, which led to many commissions for official and diplomatic painting. Flinck's relations with Cleves became in time very important. He was introduced to the court of the Great Elector, Friedrich Wilhelm I of Brandenburg, who married in 1646 Louisa of Orange. He obtained the patronage of John Maurice of Nassau, who was made stadtholder of Cleves in 1649. In 1652 a citizen of Amsterdam, Flinck married in 1656 an heiress, daughter of Ver Hoeven, a director of the Dutch East India Company.
|
